by pnuma.web | Dec 3, 2017
Creekside The studio on Deptford Creekside, from 1995 onwards was an influence that flowed into the work providing a compositional challenge of change and fluidity. Paintings with a shifting ground colour, atmospheric spaces yet with a defined set of elements. These...
by pnuma.web | Dec 3, 2017
London During 2002 -2004 I began consolidating visual methods from screen based brushes and making tools for multiple marks, this combined with a search for the sublime in abstraction. An open ended research that took my work through small scale and explorations of...
by pnuma.web | Dec 1, 2017
In 2000 I had a solo exhibition in Frankfurt at an artist run gallery, Standort . The name derived from the German word for the conventional sign on maps “you are here” a novel caprice ! The work I was making proceeded from using old and new media, oil...
by pnuma.web | Dec 1, 2017
The area of interest in these paintings was the fertility of forms in nature. A series of works around seed distribution and nutrient pathways,models for transition and the motifs in open-ended composition. The Nectary series named after the plant part that attracts...
by pnuma.web | Dec 1, 2017
I attended the Triangle workshop in Zimbabwe in 1990 the workshop was titled by the Shona word Pachipamway 3 it was held near the town of Marandella ,on a large farm out in the countryside. Artists from around the world attended set up by the Triangle Trust . I was...
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